| Underwater filming |
|
Aquawork always offers the best quality in contents as well as in production and technical equipments. Only through the combination of these three elements, plus a delicate treatment in image and sound post production, we can get the best results.
|
We keep progressing with the new adquisition of the digital cinema camera DSMC2 Red Gemini
|
 |
|
| Underwater equipment |
|
AQUAWORK’s new camera goes within an underwater housing Nauticam Weapon LT. The underwater camera operator is Rafa Herrero and the underwater illuminator is Andrea Casini, both professionals with a wide experience in the field of underwater filiming.
|
 |
| Rebreather |
|
A close-circuit equipment Evolution + CCR design, with operative working capacity up to - 100 meters depth, according to the qualification of their operators. These equipments allow a bigger stay under the water and closer approach to wild life, as they do not loose any bubbles.
Semi-closed circuit model Mares Horizon with working capacity up to 40 meters deep, significantly stretching on immersion time and impact on the environment.
|
| Camera |
Red Gemini DSMC2 digital cinema camera, featuring a sensor capable of capturing 1 to 120 frames per second at full resolution.
Underwater housing for the RED Epic cinema camera by Nauticam:
- Designed for professional underwater use
- 4.7" Back window on DSMC2 RED Touch.
- Total control on all menus through DSMC2 Sidekick.
- Manual control for focus and zoom.
- HD-SDI exit and 7" external monitor.
- 4 V-mount PAGlink PL150 Wh. Batteries.
- 2 480GB. Red mini-mag cards.
- Canon mount from ultra angulars to telescopes.
- 9.25" optical-glass wide-angle dome or macro port.
Working depth -100 meters
|
